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Theatre
Who's Afraid of Virginia Woolf?
April 17-May 11, 2008
Avg. Event Rating (4.5 Stars):
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Review/Comment
A bitter, aging couple, fueled by alcohol and mutual resentment, use a young couple to engage in a bloody emotional battle from which there is no going back. George and Martha's hatred toward one another is provoked by an enormous personal sadness that they have vowed to keep to themselves. In the end, the mystery in which the distressed George and Martha have taken refuge is exposed, revealing once and for all the devastating mess they have made of their lives.
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Ticket Info
Tickets: $10-$15
Info Phone: 408-288-7820
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Dates & Times
Dates:
April 17-May 11, 2008Times:
Thurs-Sat: 8pm
Sun: 3pm -
Venue Info
848 E. William Street San Jose, CA 95116
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Parking Info
Free lot parking is available.
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Accessibility Info
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NOTE: We do our best to ensure all information is accurate. However it's a good idea to visit the official website or call the venue to verify the information.
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Member Reviews
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Event Name: Who's Afraid of Virginia Woolf?
"Northside Does Albee Proud"
Review posted by: Herbert Carrados from San Jose, CA, Apr 21, 2008
Who's Afraid of Virginia Woolf? is one of Edward Albee's masterpieces and a classic of the contemporary American theater. In spite of this, I had only seen the movie version prior to my trip to... Expand
Who's Afraid of Virginia Woolf? is one of Edward Albee's masterpieces and a classic of the contemporary American theater. In spite of this, I had only seen the movie version prior to my trip to Northside Theater Company. I am now a devoted fan of both the play and of the theater company. The production is worthy of a major venue and the actors do themselves and playwright Albee proud. Tom Amon's George is a hand grenade wrapped in soft felt. The neighbors probably think he is charming, but his claws and teeth are sharp and tinged with poison. Sarah S. David as Martha manages to navigate the complexities of the character skillfully and without losing sight of Martha's vulnerability and humanity. She is raw, occasionally cruel, and always sexual, but she is also very real. Richard Orlando's set embraces the stage and the action like a comfortable glove. All-in-all, this is a production that shouldn't be missed. Collapse
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