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Music
Orfeo ed Euridice
February 20-March 1, 2009
Composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi this opera belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at Vienna in 1762. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama.
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Ticket Info
Tickets: $15-$50
Info Phone: 650-424-9999
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Dates & Times
Dates:
February 20-March 1, 2009Times:
Fri & Sat: 8pm
Sun: 2pm -
Venue Info
1305 Middlefield Road Palo Alto, CA 94301
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Parking Info
Free parking.
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Accessibility Info
- Wheelchair Access
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NOTE: We do our best to ensure all information is accurate, however it's a good idea to visit the website or call the venue to verify the information.
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Member Reviews
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Event Name: Cavalleria Rusticana & Pagliacci
"A Dramatic Evening"
Review posted by: Peter T. from San Jose, Oct 16, 2007
West Bay did a great job on these two operas. My favorite was Pagliacci, though, with all the players doing an amazing job! Scott Six's Canio was exciting and will make you jump out of your seat! Big... Expand
West Bay did a great job on these two operas. My favorite was Pagliacci, though, with all the players doing an amazing job! Scott Six's Canio was exciting and will make you jump out of your seat! Big voice and acting. Sharon Maxwell's Nedda was so beautiful, her voice is gorgeous and she was very believable as the young wife of Canio. David Hodgson's Tonio was very moving and realistic - great prologue! Delightful chorus and sets, good orchestra. Tickets $$$ but worth it. Collapse
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Event Name: Cavalleria Rusticana & Pagliacci
"Great Opera...Mostly!"
Review posted by: PM from San Francisco, CA, Oct 15, 2007
This Cav/Pag was really entertaining! Only thing I didn't like was Gail Sullivan's portrayal of Santuzza - too harsh and totally an unsympathetic character. Easy to see why Turiddu would dump her for... Expand
This Cav/Pag was really entertaining! Only thing I didn't like was Gail Sullivan's portrayal of Santuzza - too harsh and totally an unsympathetic character. Easy to see why Turiddu would dump her for pretty Lola! Opera is very forgiving about age, but in a small theatre, looks do matter and Ms. Sullivan looked more like Mama Lucia than Santuzza. Pagliacci was more interesting, dramatically, being multi-dimensional. The players characterized their roles well. Scott Six was born to be Canio, playing him with tremendous intensity and vocal drama. Sharon Maxwell's Nedda was sweet and attractive, with a lush velvety voice capable of great emotional beauty. Her Columbina was adorable, as was Jonathan Smucker's Beppe/Arlechino. Smucker's smooth voice was perfect in his role. David Hodgeson's Tonio was frightening, yet sad and one could really feel the humanity in the character. The chorus was great in both productions and loved the Juggler! Collapse
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Event Name: Cavalleria Rusticana & Pagliacci
"Cav/Pag is a WINNER"
Review posted by: OperaSlave from Palo Alto, CA USA, Oct 15, 2007
The opening night cast did a phenomenal job, lending their wonderful voices to fabulous scores!! I've never cried at an opera before--but Gail Sullivan's Santuzza hits the mark and touches the soul.... Expand
The opening night cast did a phenomenal job, lending their wonderful voices to fabulous scores!! I've never cried at an opera before--but Gail Sullivan's Santuzza hits the mark and touches the soul. The staging, especially the Pagliacci play-within-the-play was creative, whimsical, and impossible not to smile, even though there is a murder afoot at the same time. There are only 3 shows left, October 19, 20 (opening night cast), 21 -- this is a great way to feed the musical soul! Collapse
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Event Name: The Merry Widow
"A Banquet of Delights (Review of Sunday, 5/27 Peformance)"
Review posted by: Anonymous from Palo Alto, CA USA, May 30, 2007
This WBO production, if slightly cramped by the small Lucy Stern stage and a somewhat underpowered (though mellifluous) orchestra, presented a banquet of many delights. The young baritone Eugene Chan,... Expand
This WBO production, if slightly cramped by the small Lucy Stern stage and a somewhat underpowered (though mellifluous) orchestra, presented a banquet of many delights. The young baritone Eugene Chan, though fighting vocal problems that kept him from singing only a day before, has a rich voice and powerful presence -- a most convincing Count Danilo. Robin Fisher, as widow Hannah Glawari, complemented him ably, singing her many arias with a voice particularly impressive in its higher range, floating lovely high notes in “Vilia.” Others shone in lesser roles, including Elisabeth Russ as Valencienne, with a saucily impressive stage presence and lovely and penetrating soprano, wooed ardently by handsome tenor Adam Flowers as Count de Rosillon. Christopher Hawks nearly stole the show as Njegus (embassy secretary), complementing the more “straight” but excellent acting of Ross Halper (ambassador Zeta), Adam Meza (Cascada), Taber Dullea (Bogdanowitsch) and many others. Collapse
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Event Name: The Magic Flute
"Stunning"
Review posted by: Susan from Palo Alto, Oct 23, 2005
Desiree Earl, Queen of the Night was outstanding. She hit all the high notes perfectly. Her stage persence dazzling.
Desiree Earl, Queen of the Night was outstanding. She hit all the high notes perfectly. Her stage persence dazzling.
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