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2009 Stanford Jazz Festival - Stanford Jazz Workshop's Mentors with Matt Wilson

Stanford Jazz Workshop

July 30, 2009

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The Stanford Jazz Workshop’s Jazz Mentors are a group of young musicians selected from around the country to teach at the Workshop’s summer education programs. They earn valuable teaching experience, get an opportunity to work and play with the rest of the artists in the Workshop’s faculty, and inspire the whole community with their energy, talent, and dedication. Alumni of the program have gone on to begin outstanding careers in jazz performance and education, and this year’s Mentors are an amazingly talented and accomplished bunch, with skills, experience, and musicianship beyond their years. Teaching together during the day and jamming until late at night, these young artists play with creativity and up-to-the-minute hipness. Audiences get a chance to hear tomorrow’s jazz stars today in this special performance, which features all-star drummer Matt Wilson. The Mentors represent the future of jazz, and it’s clear that the future is in good hands. Featuring Jesse Scheinin, tenor saxophone/clarinet; Brian Chahley, trumpet; Paul Orbell, guitar; Pascal LeBoeuf, piano; Jorge Roeder, bass; Matt Wilson, drums.

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• Ticket Info

  Tickets: $10-$20

  Info Phone: 650-725-ARTS

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• Dates & Times

  Dates:
  July 30, 2009

  Times:
  7:30pm

• Venue Info

  Campbell Recital Hall - Stanford University

  541 Lasuen Mall Stanford, CA 94305

  Full map and directions

• Parking Info

  Parking is available in the Tresidder parking lot, along Mayfield Avenue, which includes permit, metered, short-term, and disabled parking. Disabled parking stalls are located on the side of the lot right in front of Braun, adjacent to Dinkelspiel Auditorium.

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  • Event Name: Chris Potter's Underground
    "Chris Potter Leads the Way for Tenor Players"
    Review posted by: Richard Ferrie from San Jose, CA USA, Jul 11, 2006
    

    Saw this show. Chris keeps moving on. Like Trane (though he may sound frequently more like Rollins, etc.), he keeps changing, keeps getting deeper into his own sound. Like Trane, he has countless... Expand

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    Saw this show. Chris keeps moving on. Like Trane (though he may sound frequently more like Rollins, etc.), he keeps changing, keeps getting deeper into his own sound. Like Trane, he has countless imitators whom one chooses not to "out" because imitation is indeeed the sincerest form of flattery. Incredible concert. Three standing ovations. A rending of clothing. A cry of women in the night. Dreadful beauty. Was there anyone in the audience who was not a musician listening fror the next note to play? Collapse

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